In the last couple of years, a range of global businesses, including Uber, Santander, and Badoo, have moved towards simpler, friendlier brand identities with type that reflects a more inclusive aesthetic. Explore a huge range of popular fonts for 2022 for both web and print with a subscription to Envato Elements. Gill Sans arrived on the typographic stage at an optimal moment—just as sans serif styles emerged from niche to mainstream appeal across the Western world. Kalice is a revival of an Elzévir Anglais by the Turlot Foundry, designed by Margot Lévêque in 2018.
It is a neo-grotesque typeface designed by Adrian Frutiger and Aleksei Chekulaev, used in industrial design, signage and publishing design. This stylish typeface was published how to pick fonts for website as an Adobe original webfont in 1990. It was designed by Robert Slimbach, who was inspired by the late Renaissance-era type and intended for body text and extended reading.
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This font is characterized by unbracketed serifs and even geometric styling and is known as one of the first Didone fonts. Didone fonts have a high contrast between the wide and the narrow lines. The modern version of Bodoni was created by Morris Fuller Benton for American Typefounders between 1907 and 1911. In contrast to many historically oriented serif fonts, Nice has a fresh look with a slightly nostalgic flair. This enables it to cover a wide range in terms of design and legibility, from texts in very small sizes to large, expressive billboard-grabbing titles. The Industrial Revolution brought mass production capabilities and a proliferation of fonts.
- After a naming change in 1960, it became the hallmark Helvetica—a nod to Switzerland’s Latin name, Confoederatio Helvetica.
- Blackletter is the ideal font for branding, posters, banners, and any other situation where you might want to utilize a larger font because it gives anything you use it for a traditional gothic vibe.
- The new version, SangBleu, supersedes the previous typeface of the same name, which has been discontinued.
- More recently, he teamed up with Johannes Breyer, Erkin Karamemet and Fabiola Mejía to explore new possibilities for it.
- Despite technological leaps connecting global designers with seemingly endless options, these 15 typefaces persist thanks to purposeful design, universal legibility, and—in some cases—pure nostalgia.
It comes with Weight, Width, and Italic variable font axes, support for ten global writing systems, and an extensive icon set. The combined work of 16 experienced type designers, this font is a powerhouse of versatility and functionality. Designed by Mat Desjardins, Neue Montreal is a versatile grotesque with the spirit of a display font.
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We’re now seeing sharp and exaggerated characters everywhere, alongside an ongoing return to the comfort and familiarity of retro fonts, such as 1970s serifs. Besides that, there have been lots of fun new font releases to help take our minds off recent world events. A slab serif font is a serif font that has had the serif blocked off, creating a strong, sturdy appearance instead of the more refined look that a traditional serif would have. Futura is a typeface inspired by the Bauhaus movement of the last century, based on stark geometric shapes, especially the circle. It has a vast collection of symbols and supports different languages. It’s available in Cyrillic, which made it a famous font in Slavic speaking countries in the 1990s.
Nowadays, it’s mostly used as a display font and is reworked for the Adobe Fonts type foundry. This contemporary sans-serif was purposely designed as an antipode to neutral modernist fonts. Unaligned, quirky and funky, it consists of 74 fonts (seven weights, five widths, italics and four text styles) or just one 3-axes variable font. There are many OpenType stylistic alternatives, which can be turned on for individual letters or as overall presets – Default, Grotesk and Geometric. This is a great choice for large headlines, websites, logos and posters, while its new text styles are great for body copy.
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We’ve taken the guess work out for you, with these tried & true font combinations. Being able to transport your audience or client back to eras such as Prohibition, or the sixties to bring a breath of fresh air to their business while still upholding their values and ideals. A vintage font has the innate ability to transport you and your work to a different era and give it the nostalgic and timeless feel that it needs. While the right images can certainly help, if the font doesn’t support the theme of your project, it may be doomed to fail.
Famed typographer Matthew Carter returned to the Microsoft drawing board to craft a complementary serif to balance Verdana’s friendly utility. Georgia—a stylish update merging centuries-old Scotch Roman typefaces with contemporary demands. Its storied pedigree and crossover from print to digital help explain Helvetica’s perpetual relevance. Look around—you will spot this “typeface on a train” in subways, airports, smartphones and beyond as a constant in our modern world.
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I also wrote an article sharing some of my favorite combinations with a focus on lesser-used typefaces. I have additional pairing recommendations in The Definitive Guide to Free Fonts, which also includes the closest free alternative on Google Fonts to every commercial font featured on Typewolf. A serif font is easily identified by the “little feet” that appear at the ends of the letters being used. Searching for Serif fonts can lead you down the proverbial rabbit hole with all of the options there are to choose from but here are the top 10 best serif fonts. If you like sharp, brave and futuristic looks, Univers is a font to consider.
Argesta is a neoclassical serif with high contrast, stylistically inspired by the world of haute couture. It’s a good choice for high-end branding design, magazine layouts, or for luxury product packaging. It comes in nine styles, ranging from Hairline to Text, and includes matching true italics. Salina is a high-contrast transitional serif typeface that exudes a captivating blend of contemporary sophistication and timeless elegance.
Georgia communicates warmth and credibility while retaining modern relevance across digital media, both old and new. With its stark geometric letterforms stripped of embellishment, Futura heralded a new era of visual communication. It shook off 19th-century serif and hand-lettering dominance to embrace machine-age aesthetics. Though no longer revolutionary, Verdana endures as an interface font par excellence.
Moments of asymmetry add a flavour of playfulness, whilst the use of ink traps adds a modern and mechanical feeling. Miniature combines a sturdy baroque structure with an unconventionally tall x-height. The result is an earnest display font that’s a great choice for postmodern branding projects, editorial explorations and cultural exhibitions. Designed by Rodrigo Fuenzalida, Mixta is based on the idea of mixing different types of terminals in order to create a singular appearance. It’s composed of diverse styles, such as Didone and contemporary typefaces, and consists of an extensive set of 1,200 characters that support more than 200 Latin-based languages, as well as Cyrillic letters. Designed by Dominik Huber, Marc Kappeler, and Noël Leu, GT Sectra is a contemporary serif combining “the calligraphy of the broad nib pen with the sharpness of the scalpel knife”.
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More broadly, Matteo Bologna, founder and president at Mucca, believes custom fonts will be big news in 2022. There’s also growing awareness for accessibility, which means that hopefully, typography will focus more on more making legibility and readability a priority. A TOP-TIER TYPEFACE OF 2021Change is beautiful for body copy, but what really sets it apart from the other great serifs released this year is the unparalleled language support. Plus it has all the ligatures, glyphs, and diacritics to set historical texts as well. A TOP-TIER TYPEFACE OF 2021Bakemono mixes mechanical typewriter technology with inspiration from eastern brush calligraphy. Its name is borrowed from Japanese shape-shifting yokai, and it aptly describes the metamorphic and versatile nature of its proportional, monospace and intermediate subfamilies.
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